Libretto studies

\"Voglio tempo\". Reflejos emblemáticos en Il trionfo del Tempo e del Disinganno de Benedetto Pamphilj y Georg Friedrich Handel. IMAGO, 5.

Music / Music History / Rhetoric / Renaissance Studies / Renaissance Humanism / Opera / Emblem studies / Affect Theory / Affect/Emotion / G F Handel / Affect Studies / 18th Century / Affect (Cultural Theory) / Affect / Vocal performance / Libretto studies / Handel / Oratorio / Italian Academies / French, Italian, and Spanish Medieval and Early Modern literature and cultural productions. Law and Literature. Religious discourses. Early Modern Iberian Worlds. Early Modern printing culture. / Tardo Manierismo Romano / Baroque Rome / ópera / Emblemática / Libretti / Early Modern Spanish, Italian, French and English Drama. History of the Book. Print and Visual Culture. Performance Studies. / Emblematic / Benedetto Pamphilj / Opera / Emblem studies / Affect Theory / Affect/Emotion / G F Handel / Affect Studies / 18th Century / Affect (Cultural Theory) / Affect / Vocal performance / Libretto studies / Handel / Oratorio / Italian Academies / French, Italian, and Spanish Medieval and Early Modern literature and cultural productions. Law and Literature. Religious discourses. Early Modern Iberian Worlds. Early Modern printing culture. / Tardo Manierismo Romano / Baroque Rome / ópera / Emblemática / Libretti / Early Modern Spanish, Italian, French and English Drama. History of the Book. Print and Visual Culture. Performance Studies. / Emblematic / Benedetto Pamphilj

Alhambrismo y lírica. Moros y cristianos en el Romanticismo musical italiano

Opera / Nasri Kingdom of Granada / Libretto studies / Meyerbeer / Bel Canto / Kingdom of Granada Modern Age / ópera / Donizetti / Gaetano Donizetti / Giacomo Meyerbeer / Kingdom of Granada Modern Age / ópera / Donizetti / Gaetano Donizetti / Giacomo Meyerbeer

Dvořákova poslední opera Armida, op. 115: Geneze a recepce (Disertační práce) / Dvořák\'s Last Opera Armida, op. 115: Genesis and Reception (Ph.D. Thesis)

Music / Music History / Musicology / Reception Theory / Opera / Audience and Reception Studies / Torquato Tasso / Historical Musicology / Libretto studies / Opera Libretti and Musical Theater / Antonín Dvořák / Gerusalemme liberata / Historical performance / Antonin Dvorak / Musikwissenschaft / Opera libretto / Opera librettos / ópera / Libretti / Armida / Jaroslav Vrchlický / Audience and Reception Studies / Torquato Tasso / Historical Musicology / Libretto studies / Opera Libretti and Musical Theater / Antonín Dvořák / Gerusalemme liberata / Historical performance / Antonin Dvorak / Musikwissenschaft / Opera libretto / Opera librettos / ópera / Libretti / Armida / Jaroslav Vrchlický
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